In this podcast I talked to drummer Jojo Mayer, who is best known for his work wth Nerve as well as his intense playing at clinics and masterclasses around the world with his acoustic / electronic style. Jojo digs into everything from how he started playing to his asperations as an artist. Listen in as Jojo gets deep in this interview.
“It takes humility to seek feedback. It takes wisdom to understand it, analyze it and appropriately act on it.” – Stephen Covey
Jojo Mayer’s Bio: (From DrummerWorld.com)
Born January 18. 1963 in Zurich, Switzerland. Son of a musician (bass player Vali Mayer), he spent his early childhood on the road traveling throughout Europe and the Far East. At the age of 2 he got his first drum set, and his first public performance took place in Hong Kong when he was only 3 years old. Growing up in the influence of a musical environment Jojo is basically self-taught (autodidact).
At the age of 18 he joined Monty Alexander’s group and toured extensively all over Europe, playing all the major jazz -festivals including the North-Sea-Jazz Festival, Montreux, Nice, Antibes, Athens etc.This lead to back-up gigs with other jazz-greats such as Dizzy Gillespie and Nina Simone and introduced him to an international audience.
Jojo Mayer performed and / or recorded with a great variety of artists covering a wide range of musical styles such as The Screaming Headless Torsos, Meshell n’dege Occello, Vernon Reid’s science project, DJ Spooky, Emergency Broadcast Network, the Vienna Art Orchestra, Wolfgang Muthspiel, Harry Pepl, Gerald Veasley, Monty Alexander, Lunar Crush, John Zorn, James Blood Ulmer, Chico Freeman, George Adams, Jamaaladeen
Tacuma, John Medeski, Family of Percussion, Hiram Bullock, Leni Stern, Depart, Wolfgang Puschnigg, The intergalactic Maiden Ballet, Friedrich Gulda, Harry Sokal, Steve Coleman’s 5 Elements, Passport, Wah Wah Watson, and many more.
Jojo has also built himself a reputation as a skilled and creative solo performer/ clinician. He appeared at most of the important Industrial Events and Drum Festivals like the Modern Drummer Festival (1998 and 2005), the Buddy Rich Memorial Scholarship NYC (95), the International Drummer-Meeting in Koblenz (89, 91, 95), PASIC (96), the Montreal Drum- Fest (96), the NAMM-Show`s”Drums along the Hilton”(96), int.Slagwerkkrant Dag (96), int. Budapest Dob-Gala (94, 95), Manny`s Drum-Mania NYC (98) and the “int.Musik Messe Frankfurt”(93, 97), to name a view, were he was featured amongst the greatest names in the drumming community today (Vinnie Colaiuta, Dave Weckl, Jack de Johnette, Terry Bozzio, Billy Cobham, Dennis Chambers etc).
Residing in New York City since 1991, Jojo engaged in numerous activities including Live and Studio work. His international touring schedule has taken him all over Europe, the US, South America, The Far East and Africa. Besides his work as a drummer, he also is involved in projects as a writer and producer.
More recently, Jojo has been venturing into New York’s Techno / Multimedia / Avantgarde / club scene by promoting his own weekly party event called PROHIBITED BEATZ. This new platform for live “Drum n” Bass”, “Nu-Skool Breaks”, “Speed Garage” and the latest stylistical hybrids and mutations in DJ culture, has also provided the back drop for his first solo project called NERVE. Described as an “endeavor in reverse engineering the textures and rhythms of the current stream of computer generated music into a live performed, improvisational format”, NERVE and PROHIBITED BEATZ have created a reputation in the New York scene that already goes way beyond “a serious buzz”.
In this session you will hear Jojo Mayer talk about:
How he got started playing drums
Jojo’s move to the US
Technique and his approach to playing
The NYC music scene then and now
Jojo’s views on current music
Resources and links:
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